I have enjoyed getting to know spiritual direction students and teachers over the past semester. My cohort is a diverse, sincere bunch of people that always remind me of God’s goodness and humanity’s capacity for compassion and hope.

There is only one thing about my new group of friends that is funny. Many of them remind me a lot of the old SNL skits about NPR.

Sometimes that NPR voice is such a wonder, like on my favorite WHYY voice, Jennifer Lynn. Other times the special character of that voice makes me wonder if the sincerity of it is just another act of branding. With everything on ZOOM now, a lot of us now have ring lights and new microphones. And I think a lot of us have started to wonder how to act on screen, including how to sound.

What does the voice mean, now?  My spiritual direction teachers and many of their students seem to have learned to speak with an NPR voice. Is that a thing, or is it just me? I know I’ve been tagged with a “Mr. Rogers” voice, so maybe I learned it a long time ago.

Voice command

Our voice is a powerful instrument. We had four children before the oldest turned 4. I developed their attention to my voice as a high priority, especially my command voice: “Do not step off that curb!” and “Let go of your brother’s neck, now!” Since we were often in a church meeting, I could turn the command volume down very low, “Give me that marker!”

Humanity continues to prove it is hell-bent on emulating the perceived power of God  through its own control and manipulation. This is kind of a leap, but I think the medium of radio does its control and manipulation via voice command. As my children tell me I did, I think NPR commands with an iron fist in a velvet glove. By this time, many of us fans can seem very empathetic and nonthreatening while advancing the same old domination.

I bring this up because my teachers, and most of the authors they suggest, basically move with Eurocentric, privileged assumptions that leak out as “best practices” for spiritual formation and direction. There is usually a candle. There is often Taize music (from France) or classical music (based in Europe), there is aloneness and silence, which, in themselves, are often hard-to-find luxuries. There is often a call to “let go,” which is hard to do if your are barely hanging on. There are often calls to “submit” or “surrender” since they are in charge and conquering something by nature. And when they speak it could be right out of NPR.

I have spent decades perfecting all the spiritual practices practices that come with the dominant culture – and to a good end. I think my teachers last semester were great. Candles, Taize, silence in solitude, and submission are all elemental to my spiritual practice.

There is another side

I also have enjoyed the luxury of getting to know other ways to contemplate contributed by the nondominant cultures around me. Fortunately for me, my parents came from the U.S. underclass and felt blessed to have clawed themselves into the lower middle class. So when I brought classical music home from college as the first to attend one, it did not go over well. I was called on to let go of the pride of thinking I was better than someone else, rather than called on to let go of the assumption I was better than most of the world, like most world-dominating Americans assume.

Many people from nondominant cultures are invited into contemplation by Eurocentric people and the “hospitality offered may be more stifling than respiting, more harm than blessing…The ways that marginalized groups answer the question of who God is needs to be contemplated in a more authentic way than the ‘average’ contemporary expression of spirituality might expect” (Ruth Takiko West*). So true. Besides, members of the so-called “dominant culture” are also very diverse, so forcing them into learning the Eurocentric practices as if they are “best practices” could be a mistake. Leaders need a lot of intentional introspection if they hope to alleviate the problem of merely dominating instead of liberating. The image of God does not just reside in people such as oneself.

Your culture is fine, as is mine. But Jesus is transcultural, even though he comes from a culture, in a gender, and is born into a family system. He experienced the dominant culture providing some kind of general order. But he insisted on enacting the liberative, reconciling work of the Spirit by giving preference to the poorer or more distant, as well as those yet to be included.

The ever-accepting Savior calls us into a mutually accepting relationship with Him and everyone else. Jesus is the Spirit in a body, the body of Christ is the Spirit making all of us into family: the body of Christ. This works out in all cultures. One does not need to look outside of one’s culture or outside of oneself to meet God. Henri Nouwen said, “Self-rejection is the greatest enemy of the spiritual life because it contradicts the sacred voice that declares we are loved. Being the beloved expresses the core truth of our existence” (see Spiritual Direction).

The presence of the Spirit transcends and infuses culture

We don’t need to act one way or another to develop intimacy with God, and though Jesus came one way, the Spirit of God with which he graced us is as multifaceted as the Creator. If God speaks to you in an NPR voice, wonderful; it is a sweet voice. But it can be a dominating voice, especially when white teachers unwittingly erase other sounds by making it prescriptive.

The rich experience of Black Americans, even those who understand Taize, Thomas Merton, and such, is often run over by the soft tones of people in charge, even though they have a rich tradition of their own that might be even better. James Cone writes, “The spirituals were a ritualization of God in song. They are not documents for philosophy; they are material for worship and praise for the One who had continued to be present with black humanity despite European insanity” (in The Spirituals and the Blues). Solitude in silence is to be treasured but contemplation is bigger. It is purpose, intention and deep consideration. As such it comes in many forms in as many cultures. Takiko West describes the Black experience in community where contemplation is exercised in the singing and the hearing of songs like the spirituals:

The presence of God is evidenced by the movement of the Spirit that causes one to jump to their feet, hands thrown up in the air when the soloist hits that one note and sustains it as if he/she needed to make sure the sound would reach heaven. It is within that moment that there is communal solidarity around the awareness of God’s grace.*

Cone writes, “The certain fact is always that God is present with them and trouble will not have the last word.”

I’ve had the privilege of being invited into this kind of contemplation in cultures other than my own all over the world. I have a feel for NPR’s more Eurocentric contemplation and I have also been blessed by Aretha Franklin’s. In the following video from Franklin’s 1972 live album, Amazing Grace, she manages to lead the moment of contemplation in a setting of a live recording. In it she bridges the societal divides, as she was so good at, by taking a Carol King song and combining it with a familiar gospel tune, in a South LA church. The album is in the Grammy Hall of Fame.

Aretha Franklin demonstrates how the nondominant find their place in the culture and how they keep a hold of their dignity and affirm their identity as the beloved.  The contemplative scene she leads is just as useful as the singular, quiet, secure-that-your-body-will-be-there-when-you-get-back-to-it, Eurocentric contemplation. We don’t need to choose. There is one body, one faith, one Lord. No one is excluded.

* From her essay in Kaleidescope: Broadening the Palette in the Art of Spiritual Direction. Ineda P. Adesanya, editor.